If Algorithms are the Enemy, is Anime the Antidote?
How an auteur-driven artform illustrates a way out of digital dystopia
This month, Hayao Miyazaki’s The Boy and the Heron won a Golden Globe for best animated motion picture. It was a big moment for the octogenarian director and Studio Ghibli, but at first glance, it might not seem like that big of a deal from a cultural standpoint. After all, how can Miyazaki top taking home that Oscar for Spirited Awa…
